Press Response

Robert Burton Hubele - Poet of The Blues

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I Am Entertainment Magazine

One of Google's Top 10 entertainment magazines on the web.

Web: www.roberthubele.com
Location: Vancouver, BC
Genre: Blues/Jazz
Key Tracks: All

Robert Burton Hubele is a kool kat whose sound can best be described as a Starbucks
Chai Tea Latte with a side of coffee cake; its a great way to cure your hunger and
thirst for something sweet and refreshing.

"I Get Lonely" is the title track to Robert's 10 song CD, and an absolute treasure. These
songs are the perfect blend of blues and jazz, and Hubele's voice is right in the pocket,
filling every void that exists on the track. This is the only song I know of that makes
being lonely sound so cool.

Another great song is "Red Wine" because Robert showcases his vocal savvy on top
of some of the snazziest jazz music on the market today. The lyrical content is very
clever and the musicianship is brilliant. The organ and saxophone solos are the two
key elements that bring out the best in this tune. Hubele and his band capture the true
essence of jazz music here, and they deserve a great deal of credit for it.

Other notable songs on this particular CD are "Too Many Kisses", "He Thought She
Looked Pretty", and "My Baby's Tears".

Overall, Robert Hubele has put together a solid album that anyone who appreciates
jazz and blues music will enjoy. No drawbacks here, just a seasoned band and artist
who deserve your support.

Review by: Senseisional

 

La Hora Del Blues, Spain - June 2011

also www.dustyblues.com

All the album tracks have been written by Robert Burton Hubele, an artist who comes from Vancouver, Canada. The cd includes ten songs that move between jazz and blues, where Robert himself plays guitar, slide and dobro, as well as all vocal parts. He has done it together with his good friend Brad Steckel, who plays percussion, keyboards, bass and lead guitar, besides being sound engineer. Robert B. Hubele is a deep fan of Albert King, BB King, Howlin' Wolf, Willie Dixon, Muddy Waters, and Freddie King, among many other blues musicians. Regarding jazz and swing, Robert has always followed closely the music of Mose Allison, Fats Waller, Cab Calloway and Louis Jordan. As for his favorite singers he mentions Dean Martin, Bing Crosby and Jim Morrison. On this album Robert fuses and investigate all mentioned styles, accurately flirting with them with good taste and great experience. The result is an exciting elegant work, played with honesty and very good taste. ***GREAT! ***

 

Robert Burton Hubele "I Get Lonely". Self Production 2011. Todos los temas del álbum han sido escritos por Robert Burton Hubele, originario de Vancouver,  Canada. El disco contiene diez canciones que se mueven entre el jazz y el blues, y en los que el propio Robert se encarga de tocar la guitarra, la slide  y el dobro, además de poner la voz. Todo ello lo hace en compañía de su buen amigo Brad Steckel, que se encarga de la percusión, los teclados, el bajo y la guitarra solista, además de ser el ingeniero de sonido. Robert B. Hubele es un auténtico apasionado de Albert King, B.B. King, Howlin' Wolf, Wille Dixon, Muddy Waters, Freddie King y otros muchos músicos de blues. Por lo que se refiere al jazz y al swing, Robert ha seguido siempre muy de cerca la música de Chuck Tracy, Mose Allison, Fats Waller, Cab Calloway y Louis Jordan. En cuanto a sus vocalistas preferidos son Dean Martin, Bing Crosby y Jim Morrison. En este disco nuestro amigo fusiona e investiga todos los estilos mencionados anteriormente, flirteando con ellos con mucho acierto, buen gusto y pericia. El resultado es un trabajo excitante y a la vez muy elegante, interpretado con honestidad y buenas maneras. MUY BUENO.

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Beale Street Magazine, Belgium

April 2011

Life is strange, we all know it. Life in the world of music is as strange as life in the normal world: every music lover with at least a little grey hair, will tell you ! These two rather philosophical thoughts were mine, when i was playing this new, seventh CD, sent to us by Canadian Blues-poet Robert Burton Hubele. The next question that came to mind was: “why doesn't he get the recognition some less-talented musicians do get?” It's all quite unfair: listening to these ten songs and discovering the quality, makes you notice this is as good as the best J.J. Cale or Hans Theessink, two guys I really do admire. Why, for heaven's sake, doesn't one single radio programmer pick this up? This music deserves to be heard and there's an explanation for that: Robert Burton Hubele has reached a point in his life, that allows him to distinguish important things from not-so-important ones. Reaching that point, gives him the ability to write songs about the simple things in life: Hubele doesn't have to prove to anyone how well he can play the guitar, nor does he feel the need to show any “look Mom, no Hands”-tricks. He doesn't even need a lot of imagination: simply observing people, things and situations allows him to write a beautiful, jazzy bluessong about it. His voice and his singing make him sound very credible throughout the record: when he sings how “She Brings Him (Coffee)”, one can see the scene for himself. When he tells the story about a guy who's sitting at the bar and wants to get to know the woman who's sitting on the other side (“She Won't Talk To Me”), one can feel the unpleasant situation.
Maybe for some of you, these songs will sound a little too “laidback”. All i can say is: be patient, and go and listen a couple times: you'll soon find out that really everything on this record fits! Hubele's vocals, his guitar playing, buddy Brad Steckel's guitars, the sparse arrangements, the sequencing of the songs. Even if I would, I just couldn't say one negative word about this record! Why don't you just go and give it a spin? It's oh so much recommended!

Dani Heyvaert

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Real Roots Cafe - The Netherlands

Robert Hubele was born and raised as the eldest of eight children, the prairies of southern Alberta, Canada. Meanwhile, he lives with his wife in Vancouver, close to the beautiful Stanley Park. At fourteen he had his first job (in a steel plant) and at 21 he wrote his first song. In 1984 he won the Canadian Songwriting Contest with the cassette "That man". The man is self-taught and with "I Get Lonely" to his seventh CD since 1988, all filled with original songs. Robert plays guitar and slide dobro and takes all the vocals on his behalf, the only other person on the CD is co-producer, recording engineer, guitarist, bassist, percussionist and keyboard player Brad Steckel. The music is a mixture of blues and jazz, in a soft version. No violent situations, but simple "down to earth lyrics. Consider the observation story in "Betty & Eddy's blues:" Eddy was ready for a better life. Work at the mill, then it's home to the wife. Looking for answers ... all he knows something not right with the path he chose. (CHORUS) ... .. Eddy Eddy was ready was ready for a little change. Betty was ready for a better life. Raised the kids, the perfect wife leg. Stood by her man in the hardest of times, but now Eddy's acting strange and she wakes up cryin '. (CHORUS) Betty was ready ... .. Betty was ready for a little change. (BRIDGE) It's so easy to fall in love. Eddy needs Betty, Betty and Ed needs. When they're mad but Sometimes They just child or forget ". A sort of blues every day, so. And other texts have the same impact.

"I Get Lonely" is a sympathetic and very accessible CD of a nice bluesy singer-songwriter. Not revolutionaries, these Hubele Robert Burton, but his music is pleasant enough to listen with pleasure. (Fred Schmale)

 

Moors Magazine, Holland
May,2011

I Get Lonely ...
Robert Burton Hubele
- With Brad Steckel

Robert Burton Hubele makes his very own unique version of the blues. During the opening number, also title track from his CD 'I Get Lonely', I thought I was listening to a drunken parody of Frank Sinatra , but after two or three songs it became clear that the somewhat sloppy way of singing is simply Hubele, and the guitars of Hubele and Brad Steckel somehow make the singing fit in a curious way, so you are still a fascinated listener. Hubele and his fellow musician and producer Brad Steckel played fantastic, always at the cutting edge yet relaxed. And then the light drifting voice of Hubele.
As a listener you're sometimes not quite sure if you get it, but the playing and singing are great. It therefore remains a very exciting picture.

Holly Moor

Robert Burton Hubele with Brad Steckel - I Get Lonely

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"Robert Burton Hubele lays down some blues-real blues, and builds on it with some rock, jazz and a touch of country. At times he sounds like a huskier Neil Diamond, at others like a more melodious Bob Dylan.He doesn't lie when he says his musical influences were the slide guitar of Bonnie Raitt and the songwriting of Tom Waits. Tying up the package is a kind of hypnotic electrified drone that Hubele achieves with fellow musician and CD co-producer Brad Steckel."

Jan Degrass-CoastReporter - Sunshine Coast, Canada

September,2004

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"This guy could sing the phone book and make it sound delicious.Outside of his obvious songwriting talents,Hubele has an engaging sense of humour that peeks through on some of the cuts.....  Yes, Canada should be proud of her rowdy bad boy!"

Independent Songwriter Magazine

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"He's written some of the best songs ever to come out of Alberta.  What comes through in his music is the honesty and hard work he seems to put into every song, the sort of blue-collar ethic that made Bruce Springsteen into a legend.   

"Key of "A"

CBC Radio One

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"I'm fascinated by this Canadian's Halfway To Everywhere CD, but I have no idea what "format" it is. Some tracks are dobro/steel acoustic. This one has a mesmerizing electric-guitar drone and spooky background vocals. But whatever the musical context, Hubele's hoarse, gripping, whiskey-soaked voice demands a listen. Check him out."

MUSIC ROW, by Robert K. Oermann

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"Hubele's fourth recording (someone please send me the other three) is a richly textured album that blends country, jazz, blues, and folk into engaging songs. A real winner!" RECORD TO WATCH, ROBERT BURTON HUBELE,

Gavin Americana, The Other Country, "Americana Inroads" by Chris Marino

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"Stirring, imaginative, passionate, invigorating.  His songs are totally original and defy categorization.  His lyrics are simple and his music is like a caress to the soul." 

1998 Independent Songwriter Hall of Fame, Independent songwriter Web Magazine, June '98.

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"Great listener response to 'Halfway To Everywhere'! Of the many 'Americana" recordings I receive-this recording makes its way to the top..(I'll) give it heavy rotation." 

Danny Lubovich, Music Director-Jazz/Americana,KURE - Ames, Iowa.

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Canadian Folk Music Bulletin - Fall 2003 - Vol. 37.3 - ISSN 0829-5344

"I'm taking it for granted that everyone has heard something about Robert Burton Hubele.  Maybe you heard his music in a movie or on a television show.  You might have heard him in one of the many honkytonks across western Canada.  But have you heard his latest CD, The Human Heart?  This is a live recording done in Cochrane, Alberta, with a very accomplished guitarist, Brad Steckel.  Robert and Brad do quite well together on these 19 tracks (some are preamble).

Hubele has a sound of his own, sometimes folky, sometimes jazzy and other times bluesy.  He is one of the best storytellers around, as you will hear when listening to this CD.  He does not just intro his songs, he takes you along and brings you inside.  Hubele is a working person's man.  One can feel this in the way he presents himself in his music and how he talks to the audience.  Hubele has great voice and can bring a smile ear to ear and then can make you reach for the kleenex as he takes you through life's ups and downs.   All the songs are written by Robert, who is a truly fine writer.  I found this new CD to be leaning more to the blues, although a couple of numbers have a country swing to them.

The Human Heart is on Robert's own label.  If you can't get out there to see him live, well, this is the next best thing.  I can assure you an evening listening to Hubele is an evening well spent."

Terry St. James, Montreal, Quebec

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Vincente Zumel, "La Hora del Blues" Barcelona, Spain.

English Translation:

A huge vocal suppleness and spicy guitar solos from and artist with a great sensibility who combines with imagination and quality blues and jazz together with pop influences, which gives as a result a relaxed bright and colorful music. Robert abilities can be appreciated not only on his performing but also on his natural gift as song writer with so suggestive tunes like ‘The Only One’, Your Baby’s Tears’ or ‘The Human Heart’. Robert Burton Hubele unpretentioulsy tells us from his own experience different stories about love and human conditon. always giving a positive message full of love, understanding and hope. VERY GOOD   

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Three Little Words, Hubele Arts Music Co. FRCD 0304.
 
Robert Burton Hubele is a Canadian singer-songwriter who found himself in blues and jazz. Robert isn’t just a ‘guitarist’, but first and foremost a tunesmith who writes songs for years at an incredible tempo. As so often, grandparents and parents provided the fundaments. From J.J. Cale he went to the big blues boys like Muddy Waters. Bonnie Raitt’s slide, a decisive influence, brought him to Fred McDowell. He discovered jazz and the great tunesmiths: Tom Waits, Mose Allison, Paul Simon, Fats Waller. It’s a not unusual, but it’s of course an ever good choice. On www.hubele-arts.com you find surprising stories, amongst them that he only found out later on that he was probably partially deaf, which forced him to invent lyrics to existing songs himself, a good schooling indeed! Three Little Words is his sixth record since 1978. We cannot compare with the previous ones but you can hear you’re dealing with an experienced musician. Three Little Words is filled with songs that keep on growing. They don’t equal the best of the great names we mentioned, but that would be an unfair comparison anyhow. His songs at least have a theme that comes right out of everyday life and are well written. Hubele sings them well also, although the comparisons aren’t relevant. Dylan? Waits?? We mostly hear Hubele, so take him for what he is: Life Is Good is a fiery ode to life, but brought with the necessary tongue in cheek. Simple everyday love is the theme of She Brings Him (Coffee) and it’s a gem in observation: the lover waits…and keeps on waiting, humbly and patiently, never giving more than a hint! Willy De Ville would certainly adore Same For Me. The title tune with its tasty riff didn’t steal its status. Mose Allison shimmers through music, lyrics and diction (parlando) of  Too Many Kisses. We find Your Baby’s Tears, with mandolin and accordion, to be a great song: with this Neil Diamond (of the good years!) would in turn have been happy. The three closing songs have a little more punch with the last one, The Human Heart, growing to a climax. Three Little Words is home made stuff of the better kind and there’s nothing wrong with that.
 
Antoine Légat - BluesFreePress January, 2005 (Hansbeke-Belgium; original: November 1st 2004; this translation: November 7th)

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Bobtje Blues Site - Spring 2003

"From Alberta, Canada there was Robert Burton Hubele. Doing jazz, folk, country, and blues and telling funny stories in between.   He took the audience on a ride through all his music styles. Robert's instruments are a national steel slide guitar and an acoustic folk guitar, add his strong and intriguing vocals, and you have Robert's very own style, partly influenced by Hank Williams and Muddy Waters. A very special style, for which he is known in his home country and where he's called the blues troubadour. He did songs from his latest album The Human Heart which is a big success in Canada, 'Everything But The Blues' and the sensitive 'I Was Wrong'. He proved to be a very good songwriter with 'Black and White and Blue', a song he wrote only three weeks ago. And there was the day he was riding (his horse) through the mountains, with only silence as his companion, when suddenly a jet fighter disrupted this pretty picture. He wrote 'A Little Too Much' about that. I think it's about time Europe got to know this extraordinary talent."
    

     Review by Belgian Blues Reviewer Bobtje on www.bobtjeblues.com

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